The Devil Wears Prada meets Wall Street in this fast-paced, hilarious odyssey in four-inch heels. Whilst some bankers take 15 minutes to agree on a font size for a presentation, Alex Gerrett discovers that it takes her only one minute to lose her new bank $93,000 on her first trade. Welcome to the world of finance. Being at the bottom of the corporate ladder in one of Wall street's biggest powerhouses is like having landed in a giant adult playground for new-girl-on-the-block Alex. As a child she witnessed the 'glamour' of the money-making machine via her banker dad. Now, she has survived the 'do-you-squeeze-the-toothpaste-from-the-bottom-or-the-top?' question in the interview and is heading for The City. Her 'Watch Out Wall Street, Here I Come' attitude is soon punctured by her status as the one with the folding chair instead of a desk. She has a lot to learn, for example: A $65 limo ride is a completely acceptable way to travel ten blocks... ... or five blocks if it's raining. Knowing maths is important - but nowhere near as important as you'd think! A bet is a bet is a bet. If you lose at credit card roulette, you will pay the bill. No one cares that it's your first job and the bill is $10,000. And with things looking a little sticky on the World's markets, it's going to be a bumpy ride.

An illuminating investigation into a class of enterprising women aspiring to "make it" in the social media economy but often finding only unpaid work Profound transformations in our digital society have brought many enterprising women to social media platforms-from blogs to YouTube to Instagram-in hopes of channeling their talents into fulfilling careers. In this eye-opening book, Brooke Erin Duffy draws much-needed attention to the gap between the handful who find lucrative careers and the rest, whose "passion projects" amount to free work for corporate brands. Drawing on interviews and fieldwork, Duffy offers fascinating insights into the work and lives of fashion bloggers, beauty vloggers, and designers. She connects the activities of these women to larger shifts in unpaid and gendered labor, offering a lens through which to understand, anticipate, and critique broader transformations in the creative economy. At a moment when social media offer the rousing assurance that anyone can "make it"-and stand out among freelancers, temps, and gig workers-Duffy asks us all to consider the stakes of not getting paid to do what you love.

While other little girls were fantasizing about becoming doctors or lawyers, Alex Garrett dreamed of conquering the high-powered world of Wall Street. Now she's grown and determined to make it big in bond sales at Cromwell Pierce, one of the Street's most esteemed brokerage firms. Though she's prepared to fight her way into an elitist boys' club, she starts out small, relegated to a kiddie-size folding chair with her new moniker, "Girlie," inscribed in Wite-Out across the back.

Always keeping her eyes on the prize (and ignoring her friends' pleas for her to quit), Alex quickly learns how to roll with the punches, rising from lowly analyst to slightly-less-lowly associate in no time. Suddenly she's being addressed by her real name, and the boys' club has transformed into forty older brothers . . . and one possible boyfriend. But then the apocalypse hits, and Alex is faced with the most difficult choice of her life: to stick with Cromwell Pierce as it teeters on the brink of disaster . . . or to kick off her Jimmy Choos and go running for higher ground.

What is a magazine? For decades, women's magazines were regularly published, print-bound guidebooks aimed at neatly defined segments of the female audience. Crisp pages, a well-composed visual aesthetic, an intimate tone, and a distinctive editorial voice were among the hallmarks of women's glossies up through the turn of this century. Yet amidst an era of convergent media technologies, participatory culture, and new demands from advertisers, questions about the identity of women's magazines have been cast up for reflection. Remake, Remodel: Women's Magazines in the Digital Age offers a unique glimpse inside the industry and reveals how executives and content creators are remaking their roles, their audiences, and their products at this critical historic juncture. Through in-depth interviews with women's magazine producers, an examination of hundreds of trade press reports, and in-person observations at industry summits, Brooke Erin Duffy chronicles a fascinating shift in print culture and technology from the magazine as object to the magazine as brand. She draws on these findings to contribute to timely debates about media producers' labor conditions, workplace hierarchies, and creative processes in light of transformed technologies and media economies.

Nowadays, it can be hard to imagine what life was like with no mobile phones. Looking back, we can only wonder how much easier life might have been if people could just send each other a quick text! But what would history's most famous Scots have been texting about? Would Rabbie Burns have been sending love poems to his lady friends? Would David Livingstone have been lost in the jungle for so long if he had Google maps? Perhaps David Hume could have spread his serious words of wisdom alongside some emojis. And William Wallace may well have rallied the troops over instant messaging! This witty little book sets out to discover exactly what these Scots, and many more, might have been saying on their adventures. Scottish history has never been so entertaining, or so modern!